As she does so, writing poetry is testing and playing with form, discovering form. ( Log Out /  Being a creative person, it’s really difficult to settle into a creative process. However we are now at level one, the sun is shining after endless rain and thunder, the political point scoring is on mute, I am listening to opera divas in my earpiece, the bread is cooling, and I can return to the collection with more focus. Vanessa Mei Crofskey is an artist and writer based in Tāmaki Makaurau. In poetry, I don’t think clarity is a primary purpose; there are a lot of interesting effects that happen in the reader’s mind as they read without punctuation. Change ). I think writing is like putting a puzzle together, but you have to create the pieces yourself as well. There are a couple of poems in there that I’ve punctuated ‘correctly’. If so, thanks for the compliment! Interesting question. The other aspect of Whitman that I have always enjoyed is the way he is able to weave tenderness, fragility, intimacy and brazenness. How we might stutter or provoke or soothe or struggle with words. : JULY; IF I’M A WATER-BEARING … Thank you to the poets for their poetry, to Sam Elworthy and all the team at Auckland University Press and to editor Nick Ascroft, for bringing this book into the world. Congratulations Anna Jackson, Vanessa Crofskey, Ben Kemp and Chris Stewart. Vanessa Crofskey is a writer and artist whose style has been described as both introspective and “on fire”. He embeds the physical in order to evoke the intangible, the hard to say. Whitman is a celebration of everything that is light and dark in the human spirit. Still at a snail’s pace. ‘I’ thus becomes a cave, a bear, a dog, a fireman, a mysterious object, a liar, a void, a ghost, a location. The title poem is a gem (well they all are!) Vanessa to Ben: Your writing is so beautiful! Vanessa Crofskey. IDK whether that’s what you meant, though. AUP NEW Poets 6 launch: listen to the poets read here. I am reminded of how language shapes us as much as we shape the languages we use. As poets, we explore meaning, but the phonetic composition is equally as important, drawing from other languages broadens the palette. As artists, we are all searching for new ground. Vanessa to Chris: There is a force of nature that lies beneath your poems. AUP New Poets 6 (English Edition) eBook: Crofskey, Vanessa, Kemp, Ben, Stewart, Chris, Jackson, Anna: Amazon.de: Kindle-Shop Wählen Sie Ihre Cookie-Einstellungen Wir verwenden Cookies und ähnliche Tools, um Ihr Einkaufserlebnis zu verbessern, um unsere Dienste anzubieten, um zu verstehen, wie die Kunden unsere Dienste nutzen, damit wir Verbesserungen vornehmen können, und um Werbung … Vanessa has 6 jobs listed on their profile. Vanessa currently works for The Pantograph Punch as a staff writer, and as a curator at Window Gallery (University of Auckland). How is it different to other structural techniques that you could have chosen to separate the units of meaning within the poem? This poetry is witty, vulnerable, challenging, complicated …. It was one of those poems that was like an ice sculpture; the big block of ice was frozen in place quite early, and the chipping away of small pieces around the edges happened bit by bit over time until I kind of just knew it was done. In the darkness that is their light they are whole. These experiences really shaped me. Anna Jackson’s lithe introduction (which I read after reading the poems as is my habit) confirms her role as an astute and surefooted editor of this series, with her fine eye for poetry that holds and satisfies attention regardless of the world that bombards. I Don't Know the Word for Depression in Mandarin by Vanessa Crofskey Vanessa Crofskey is a mixed race Chinese poet, born and raised in New Zealand, who misses Malaysia often. AUP New Poets 6 Ben Kemp, Vanessa Crofskey, Chris Stewart, edited and introduced by Anna Jackson, Auckland University Press, 2020. become that river and dissolve into the essence of I. What is interesting to you, or important, about using the phrases of the original languages (without necessarily prefacing or explaining them)? Vanessa Crofskey is a Chinese/European artist who moves fluidly between poetry, theatre and contemporary art. Through her practice she investigates social connection: how we form identities through intimacy, inheritance, location and violence. Read "AUP New Poets 6" by Vanessa Crofskey available from Rakuten Kobo. every time auckland council says ‘diversity targets,’ my phone vibrates). I mean, childbirth is kind of a cosmic experience. There is so much in this anthology, poems about whale strandings, teething, dispossession, loss, the pain of physical exercise, the embarrassment of swimwear, the gravity of responsibility, the love you feel with the shiver of your skin, friends to watch Ferris Bueller’s Day Off with a parent to the rescue, cherry blossom, the chatter of 10.000 sea-gulls, clean sheets, rice, bathing a child, white washed pages, red ink and more. Sorry, your blog cannot share posts by email. Glorious, simply glorious. 4/23/2020 0 Comments Tāmaki Makaurau, Aotearoa New Zealand. She advocates for complex trauma survivors and those with attention deficit disorder, plus is very funny and knows a lot about what snacks to eat. The Auckland University Press series devoted to new poets was launched in 1999 and featured the work of Anna Jackson, Sarah Quigley and Raewyn Alexander. I like using metaphor and imagery to surprise people, which makes them have to reorient themselves in a written landscape. I’m really interested in what you mean by ‘force of nature’. Crofskey creates award winning and impactful experiences, taking home the 2018 Auckland Theatre Company’s Here and Now award the 2019 Auckland Arts Festival Fringe award and the Auckland Fringe Best Spoken Word award 2 years running. Both Walt Whitman and Henry Miller outlined a process where the person must die in order for the artist to grow from the ashes. It epitomises everything that is extraordinary and mystical about the experience of living one single life. I had the attention span of a gnat. Do you mean they seem powerful in some way? I am of mixed ethnicity and that has always created huge tension in me. This was a challenging time for new books when many of us felt tilted as readers and writers, and our major contact with the world was via our screens. Poetry / writing is definitely something that I come back to and is there in me; it will always come out eventually. Vanessa Crofskey is a writer and artist based in Tāmaki Makaurau. He carries Aotearoa into every poem, regardless of the setting, while his experience in Japan also deeply permeates his point of view. carrying the burden of my impatience, they vent it. These poems are why I keep reading poetry, and why I very much hope Chris has a book in the pipeline. Astonishing. Ben to Chris: Why do you write poetry? Luckily, the midwife was there! This poem was published in the latest issue of Starling (Starling 10). It was supposed to happen in hospital… but it happened on the veranda on the way to the car. See the complete profile on LinkedIn and discover Vanessa’s connections and jobs at similar companies. I think that’s what beauty feels like to me, dangerous and bumpy, so it didn’t make sense for the way it was written to be glossy. It happens in fits and starts. Gravity was more drawn from the place and experience of the immediate post birth: The midwife was fiddling around with the placenta (we’ve still got them in our freezer!) It can actually affect my relationships, like, if all I want to do is sit down and write a poem, and someone else needs me to do something, then I can get quite irritated. “I didn’t realise that what I was doing could be termed poetry. Chris to Ben: My favourite poem of yours is Ranginui’s tomb. That’s the fun bit. Gisborne-born Kemp arrived in the Pacific following six years in Australia and ten years in Japan. ABOUT. Poetry Shelf Monday Poem: Pippi Jean’s ‘What We Owe to Each Other’, Poetry Shelf noticeboard: Anna Jackson reviews Bill Manhire’s Wow at ANZL, Poetry Shelf: 8 Poets pick favourite 2020 poetry reads, Poetry Shelf noticeboard: takahē 100 launched, Poetry Shelf noticeboard: Ursula Bethell Residency 2021, Poetry Shelf reading room: A. Davida Jane’s Every Dark Waning. And listening. I think that the title ‘The Japanese Moko’ is very risky, but I was happy to put it out there. We move from Kemp's slow-paced attentive readings of place and people, in a selection moving between Japan and New Zealand, to the velocity of Vanessa Crofskey's fierce, funny, intimate and political poetry, which takes … They can’t process orders now but please remember to support the bookshop and support the poets by placing an order that can be filled after the lockdown is lifted. I have ADHD so I think I just jump around in my brain anyway!!!! I suppose elevating the mundane is one way of putting it. Vanessa has written for The Pantograph Punch, Dear Journal, Hainamana, Scum Mag and the NZ Herald, and performed at this year’s Auckland Writer’s Festival. I enjoy the feeling of potential when I sit down to do a poem. Vanessa graduated from Auckland University of Technology with a Bachelor's degree in Visual Arts (2017). Yes, family is the glue that holds the sequence together, along with the poet’s astute and probing gaze into experience. You can read the full piece with poems here. Of course that was just the trigger, and you do tend to go away from the trigger a bit in the writing process. Poetry, for example, is a way of becoming. She was a Rising Voices National Finalist and the 2015 UoA Slam Champion. Is that a mood / atmosphere thing? A big shout out to the Sweet Mammalian crew for selecting it (Hannah Mettner, Magnolia Wilson, and Morgan Bach); I think it was the second poem that I ever got published, and it really made me think, ‘yeah, I can do this’. His lens is so wide, but he is able to pull it all together into his single stream of consciousness. AUP New Poets 6, eBook pdf (pdf eBook) von Vanessa Crofskey bei hugendubel.de als Download für Tolino, eBook-Reader, PC, Tablet und Smartphone. 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